![]() Added detection of invalid audio output sample values (infinities, NaN) Slightly better GUI layout but still mostly just 2 columns of sliders (None is mostly useful in case the plugin doesn’t detect the host is offline rendering.įor real time playback none is likely only going to work with small FFT sizes.) Allow setting background prebuffering amount in settings, including none. Inverted the number of harmonics parameter active range Added parameter allow passing through audio from plugin input Added parameter to set audio input capture buffer length (up to 120 seconds) Removed an unnecessary level of buffering (doesn’t reduce latency but should help a bit with CPU usage) Provide the file name of the source of audio file, so audio clip/event/item specific audio won’t be imported) Added support for dropping audio files to GUI (available functionality depends on host, many will simply Added option to settings menu to ignore loading imported audio file when recalling state Added reset parameters (except main volume and input pass through) command to settings menu Highlight related parameters when spectral processing module clicked in the module chain Show prebuffering ready amount graphically instead of text Double click on slider resets parameter to default value Double click on waveform selects whole waveform No longer seeks to beginning of play range when changing FFT size Seek to play range beginning when audio file imported Restored ability to set capture buffer length (via the settings menu) Added buttons to enable/disable spectral processing modules Removed the factory presets as they are not really that useful ![]() (May not work properly for undo etc on all hosts.) Added dummy parameter to tell the host the plugin state has changed when importing files etc. Moved prebuffering amount menu to prebuffering meter (click to show) Control/Command click on waveform seeks (if click within active play range) Mac Os : Reaper (VST), Ableton Live Lite 9 (VST), GarageBand (AU), Plogue Bidule (VST). ![]() Windows : Reaper, Ableton Live Lite 9, FL Studio, JUCE plugin host. I have tested that the plugin loads and runs in : I will have to investigate later what, if anything, can be done about those issues. The plugin has lots of latency, that isn’t reported to the host currently. Some hosts will just immediately start running the plugin, in other hosts one may need to record/input monitor enable the track or something else needs to be done. How that is achieved in various hosts is specific to those hosts. The plugin will require the DAW audio engine to be running on the track it is inserted on. (The capture mode is started/stopped with the “Capture” parameter.) The plugin can either load an existing audio file from disk to process or it can capture audio from the plugin inputs. Ambient music and sound design are probably the most suitable use cases. ![]() It is not suitable at all for subtle time corrections and such. The plugin is only suitable for radical transformation of sounds. No manual or demonstration video exists at the moment, but some information follows : This plugin is based on the PaulStretch algorithm/standalone app. The new paradigm of computer audio can be summed up in two words: "real-time" and "modular" ? both of which are embodied by one application.PaulXStretch – VST2/AU Plugin for extreme time stretching and other spectral processing of audio As he performs, a musician decides to add an LFO to a synth's filter cutoff knob, where no LFO existed before. It gets better: A sound is broken down into 256 individual bands, then each is tweaked one at a time in a unique way. Old hat, right? Now, imagine this: the same single output socket sprouting no less than eight different cables connecting eight different effects. Elsewhere, a MIDI cable links a MIDI input to a synthesizer, which is in turn connected to a mixer. More cables connect the effect to a mixer. Is this a familiar picture? Cables lead from a microphone input into a small digital effect. Plogue Bidule 圆4 for Windows 10 - Full description ![]()
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